How Does the Devil Seduce?

I discovered an old interview with Father Gabriele Amorth on the internet concerning Satan and exorcism. It is an interesting article, but this particular piece near the end jumped out at me.

How does the Devil go about seducing men and women?

AMORTH: His strategy is monotonous. I have told him so and he admits it … He convinces people that there is no hell, that there is no sin, just one more experience to live. Lust, success and power are the three great passions on which the Devil insists.

I am reminded of Jesus’ three temptations in the desert, Luke 4:1-13.

“Command this stone to become bread” tempts Jesus to use his power to satisfy his desire. Disordered desires and wants are lusts.

All the kingdoms of this world would be given to Jesus if He worshiped Satan. This at first seems like a temptation to power, but it fits better with the idea of success. What do we give up in order to be successful, to be the best, to win? What do we worship, what do we idolize, what do we sell our soul for in attempts to be successful? How do I become fractured, less integrated, less whole, compromised, in an attempt to gain some thing?

Finally, Satan tries to get Jesus to put God to the test. That’s where the power comes in, to use God as if He was an object for our manipulation and control. Do we try to use and manipulate people for our own success and desires?

Notice what is hidden between the words of lust, success and power—pride. Did you also notice that all three are temporary? The devil has nothing to offer that is permanent or eternal, except spiritual death.

And what is the antidote to pride? Humility and love.

Know your enemy.

The Voice Under All Silences

love is the voice under all silences,
the hope which has no opposite in fear;
the strength so strong mere force is feebleness:
the truth more first than sun more last than star

— E.E. Cummings

Teaching Dirt to Listen

In a narrative essay titled “Teaching a Stone to Talk” (found in the book by the same name), the author Annie DIllard describes an eccentric man trying to teach a stone how to talk. Several times a day, he removes his stone from the shelf, a dark gray, “palm-sized oval beach cobble”, and proceeds with his lesson. No details are given as to what or how he is teaching the stone.

My first thought after being mildly amused in her descriptions of the situation was to wonder about God. Is the situation analogous to the Holy Spirit trying to teach dirt to pray? After all, we are dust and to dust we shall return.

Dillard’s essay moves onto the apparent silence of nature, of the universe, and even of God. She wonders if maybe it was our fault for God not speaking to us—we asked Him not to.

The wilderness generation was at Sinai; it witnessed there the thick darkness where God was: “and all the people saw the thunderings, and the mountain smoking.” It scared them witless. Then they asked Moses to beg God, please, never speak to them directly again. “Let not God speak with us, lest we die.” Moses took the message. And God, pitying their self-consciousness, agreed. He did not speak to the people anymore.

Perhaps. Perhaps not.

Dillard goes on to lament. “We doused the burning bush and cannot rekindle it; we are lighting matches in vain under every green tree.” Yes, we are desperate to speak with someone or something other than ourselves. Some researchers have attempted, in vain perhaps, to communicate with chimpanzees, dolphins, whales, etc. Others search space for signs of extraterrestrial life.

I suspect that some are trying to prove that we are not unique in the universe, to deconstruct or devalue humanity to nothing more than mere material processes. Others are just lonely, seeking communication with other forms of life, or inanimate objects like stones, to acknowledge our camaraderie or kinship.

What have we been doing all these centuries but trying to call God back to the mountain, or, failing that, raise a peep out of anything that isn’t us? What is the difference between a cathedral and a physics lab? Are not they both saying: Hello? We spy on whales and on interstellar radio objects; we starve ourselves and pray till we’re blue.

Dillard moves into the silence of the world.

At a certain point you say to the woods, to the sea, to the mountains, the world, Now I am ready. Now I will stop and be wholly attentive. You empty yourself and wait, listening. After a time you hear it: there is nothing there. There is nothing but those things only, those created objects, discrete, growing or holding, being rained on or raining, held, flooding or ebbing, standing, or spread. You feel the world’s word as a tension, a hum, a single chorused note everywhere the same. This is it: this hum is silence. Nature does utter a peep—just one. The birds and insects, the meadows and swamps and rivers and stones and mountains and clouds: they all do it; they all don’t do it.

The silence is all there is. “We are here to witness. There is nothing else to do with those mute materials we do not need.” Witness, or should I say with-ness? Dillard goes on,

If we were not here, material events like the passage of seasons would lack even the meager meaning we are able to muster them. The show would play to an empty house, as do all those falling stars which fall in the daytime.

The remaining portion of her narrative moves on to make her point, that Dillard is called to be witness for nature.

Hmmm…we are to be witness, or with-ness, to nature, to the world, to the universe. With-ness, yes! But I wonder. What if nature or the world is the witness, the one called to with-ness for us?

Maybe God did not choose to stop speaking with us, but rather, we chose to stop listening? What if the stone has been trying to teach the man to listen?

Deep Beauty

I’ve been listening (and re-listening) to some of Peter Kreeft’s lectures and speeches. (Free to download in mp3 format.) A basic theme that runs through many of his talks (and books) is that every person seeks truth, goodness, and beauty in some form or another. And all three of these are found in God. They are only in God, or come from God, or are inspired by God. They are attributes of God.

In a recently posted lecture, “Shocking Beauty”, Kreeft makes this arresting statement:

Deep truth heals your mind, and deep goodness heals your will, but deep beauty wounds your heart. Deep beauty hurts.

The head or ego wants to possess the beauty, to analyze and deconstruct it, but the heart knows that it cannot. Beauty pulls you up into wholeness and things transcendent, not down into the parts and pieces. The heart yearns not to possess but to be possessed by the beauty (that sounds like Kreeft in a different lecture), to be connected with it, absorbed into it in some way. And thus the ache—the ache of incompleteness, of separateness, of aloneness—so close yet so far.

Deep beauty sounds a lot like falling in love.

Deep beauty also sounds a lot like a path of humility.

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